Summer Poppies


10x8 acrylic on panel © 2014
Collection of the Artist

Driving down Center Street in Springville in the late summer afternoon, I had to stop. A house had poppies in bloom, and when the sun is just right the petals are luminously bright as if they were the source of the light. It was a quick stop, and now that we all carry a camera in our pocket, it was not hard work to capture a fleeting moment in time—memorialized in paint.

 

Parley's Pride


18x24 Acrylic on panel, © 2014
Private Collection

There are always firsts. This was a first for horses.  Well, almost a first. I sat by Antonio, a Native American, in third grade. He was great at drawing horses, and I always envied his ability.  Later I entered a "contest" on the "Sheriff Dan Show" and won a sewing machine for my grandmother. But I'll not count those as horses that would compare with this endeavor.  After watching horse pulls for hours, researching horse anatomy, and harnesses, I made the attempt. Dress harnesses are not the run of the mill harness, as they are much fancier and for show.
    I have always admired horses, even before the third grade.  Draft horses are powerful athletes and responsive to the occasion and the teamster. These horses have "performed" and are now pulling the owner, Parley, around the arena which has the purpose of settling them down after the Adrenalin rush of the pull. You can see the power in the arms of the man and can hear the loud speaker host announce the next event.  What a great day for a pull.
    The challenge of the painting was to have the sense of place not take away from the horses and man. They must remain supporting characters in the display—seeing into shadows and feeling the power and desire of the horse and master, so that the spirit of the event is present.
    The meaning of the painting is expressed best here:

From “Why I don’t call myself a ‘Mormon feminist,’” Deseret News, March 26, 2015 
…“Marriage in the temple was another reminder that we can’t receive every celestial blessing on our own. My new vulnerability was ultimately like closing the proverbial umbrella to receive a shower of heavenly blessings that sometimes even drenched and always sustained. 
    “Temple ordinances taught me that my husband needed me, and I needed him, and we both needed the Savior to succeed. Those truths parallel to daily drudgeries as well. When we don’t work as a team and when we don’t turn to God for guidance, our finances are a mess, we are less-than-our best in our careers and our children exploit any semblance of a divide. The opposite has proven to be true—not any easier, but true, nonetheless. 
    “My wise father grew up on a farm in southeastern Idaho where his father trained Clydesdale horses. His favorite parable for marriage is a team of horses that can’t move forward unless they are walking side-by-side and equally yoked. He also frequently counseled me, and many others, that marriage isn’t 50/50, but each must give a 100 percent in order to succeed. 
    “Last Christmas, my dad commissioned a painting of his father holding the reins of his draft horses during a horse-pulling competition at the fairgrounds. Every time I walk past the print my parents gave each of their children, I remember to share the yoke. But I’m also reminded how the Savior holds the reins and gives us gentle reminders when we stray from a progressive path.” —Stacie Duce (Parley's granddaughter) 

The Gap in Hobble Creek


11x14,  Acrylic on panel, © 2013
Collection of the Artist

We drove up Hobble Creek Canyon looking for a place to paint at a later time.  We were coming back down the canyon when the beauty of the moment was one that could not be ignored. We stopped and took a picture of the road and the gap.  It was not a place to set up an easel so I contented myself to paint it in the studio. What a beautiful place to live.

Hobble Creek Glow


11x14, Acrylic on panel, © 2013
Collection of the Artist

My wife and I went on a morning excursion up Hobble Creek Canyon—about five minutes from the house. French easel in hand I found a quiet spot not far from the road where I could observe the morning splendor and the sounds of nature.  Any day painting is a good day.

Spring Thaw


10x10 Acrylic on panel, © 2013
Collection of the Artist

We took a spring trip up Provo Canyon to a cabin above Sundance Ski Resort. Here we found a small stream fed by the spring melt. I took several photos of the last vestiges of snow as they filled the streams. A quiet, peaceful time walking in the brisk air enjoying the sounds of awakening.

Blue-water Waterfall


14x11 Acrylic on panel, © 2012
Private Collection

The Internet is a marvelous tool for obtaining instructional content. I have been enthralled by the resources offered for free. I signed up with WetCanvas.com, and as a result, I was offered an opportunity to be a student in live web classes that were recorded for subsequent paid distribution. The process put me "in touch" with Johannes Vloothuis from Canada. Johannes, a professional artist, offered insights that were significant to my development. I can no longer look at paintings without his "commandments" of painting coming to the front of observation. Although I went to art school, I never could make all the connections between what was taught and the application in a painting. Johannes has a way of integrating the two. I don't necessarily agree with everything, but that's because of too many years in art history. I do, however, appreciate him focusing my attention on 15 or so commandments—they tend to grow and morph over time.
    This painting was the result of a class assignment to paint a waterfall.  I had never painted waterfalls, so it was a challenge. I never submitted this one for critique, but I learned from the critique of others' works—we all make the same mistakes. Someone once told me, "If we were all to confess our sins to one another, we would be stricken by the lack of creativity." So it is with mistakes in paintings; we all make similar, if not the same ones—novice and professional. Professionals look for and correct them, while the novice goes on unaware of their existence. Johannes taught us to look critically at our own work and correct the mistakes—if not during the painting process, after our own evaluation. 
    I like this painting that was painted with my artistic license to make it "real" rather than realistic.

Way West



14x18, Acrylic on canvas, © 2011
Private Collection

In the Winter Quarters Temple there is a painting by LaVoy Eaton which shows the Platte River and Chimney Rock in the early evening. It is a beautiful painting that I have enjoyed each time I was privileged to observe it. For those not of Nebraska, you cannot see Chimney Rock and water in the same scene unless it is raining. Nevertheless, with artistic license in hand I made a sketch of the general composition of the painting and decided to take my brush in hand to make a similar painting after his. I chose to have it a little later in the day and with more color on the horizon. One should never paint something just before a webinar on painting skies. You always will find something to correct and then correct again. I loved living in Nebraska, and I had a Great Grandmother born in a wagon bed just down the road a bit during an overnight stop at Ash Hollow. There is always a story to tell along life's trail.